Link to article here: http://www.huffingtonpost.com/elysabeth-alfano/tea-and-conversation-with_b_5879320.html

LINK TO ARTICLE HERE: http://radio.com/2014/09/22/billy-corgan-smashing-pumpkins-adore-interview/

LINK TO ARTICLE HERE: http://socialmediaweek.org/chicago/events/screams-streams-live-streaming-can-create-digital-music-venue/?utm_content=bufferd2d12&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

LINK TO ARTICLE HERE: http://socialmediaweek.org/chicago/events/screams-streams-live-streaming-can-create-digital-music-venue/?utm_content=bufferd2d12&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

Yesterday evening, in expressing that I felt that these posts were not as engaging as the MTAE ones were, I said to my techy-helper person: "Can you look up the numbers?"; meaning how frequently my newer posts were being viewed. I share this because a) these take time to write that I don't have (aren't we all busy these days?), and b) I'm not one to share if no one's listening. 'Is there anyone out there…?' So if you are reading this, thank you; because the numbers as such pr

LINK TO ARTICLE: http://www.rollingstone.com/music/pictures/15-musicians-who-run-business-empires-20140915

So for your sake, this shall be brief. No huffing-poofing about lost dreams. And with much credit given to the guidance of The Shredder, who has a way of seeing us out of these self-constructed forests. Imagine us hence: sitting, talking about music. And talking, talking, mostly conceptually about others music. Say for example why something worked in a given year that wouldn't work today, and vice versa. Interesting stuff for intellectuals, and probably much more interesting

Link to Article here: http://chicago.eater.com/2014/9/21/6661431/chicago-change-food-rick-bayless-paul-kahan

ZuZu's Two Year Anniversary is scheduled for Saturday, Sept 27th 10pm-Midnight Details are being finalized... If you are interested in joining the celebration, please contact: reservations@madamezuzus.com

From Lionel comes this 'ol guitar (a Martin classical), one that I had in my possession from approximately 1998 until just a few years back, and is most notably known for being the lead instrument on ADORE'S 'TO SHEILA.' But what I didn't advertise (I should have) when selling it is that after the band relocated to LA (after ignominious beginnings in Chi-town), this was one of only 2 guitars I'd grab mornings to write and/or work on new songs. Now, I can't attest to what may