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Twenty-five years ago this month, Smashing Pumpkins released their second single, Tristessa, on Sub Pop Records. In the United States, Tristessa was released as a 7” vinyl single. Glitterhouse Records, a Sub Pop subsidiary, also released a German 12” version that included an extra song, "Honeyspider", which was not made available on the US pressing.
Over the years, Sub Pop Records have become extremely collectible. This limited release by Smashing Pumpkins is a "must have" for collectors of Smashing Pumpkins and Sub Pop releases alike, making it our feature for this weeks Memorabilia Monday!
One year ago, December 9, 2014, Smashing Pumpkins released the album, Monuments to an Elegy. Fans were given a pre-release opportunity (through pledgemusic.com) to purchase extremely limited memorabilia from the album, to include; numbered lithographs, vinyl test presses, and album artwork proofs. Today we feature the album artwork proofs, which are limited and signed by William Corgan! Creating another grand opportunity for fans to be closer to the art!
Having just woken to the news of this passing, I feel compelled to put pen to paper and pay my respects to Scott. And in that I will not pretend to know more than I know, or add some sad homily to how he loved his life. At least in that, may I now say he is undoubtably in the arms of grace and eternal love.
May I also offer my humble condolences to his family, friends, and band mates; who have, and are, suffering this great loss. For when anyone as vaunted leaves far too soon, we mourn all that might have been.
As any fan, I find myself reflecting on what I do have in my own treasure chest: in scarce moments where Scott and I spoke as contemporaries or competitors, and got to know each as people other past the footlights and shadows we were so busy casting to the world. It may seem trite in reflection, but I'd try to make him giggle when I saw that the manic whirl of the dumb parties we were at (in Hollywood, no less!) might be causing undue stress.
It was, I'd guess you'd say, my way of apology for having been so critical of STP when they appeared on the scene like some crazy, man-fueled rocket. And not only was the knight up front freshly handsome to a fault, but he could sing too! As any supreme actor gives a real and different voice to each character played.
It was STP's 3rd album that had got me hooked, a wizardly mix of glam and post-punk, and I confessed to Scott, as well as the band many times, how wrong I'd been in assessing their native brilliance. And like Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere.
Lastly, I'd like to share a thought which though clumsy, I hope would please Scott In Hominum. And that is if you asked me who I truly believed were the great voices of our generation, I'd say it were he, Layne, and Kurt.
So it goes beyond tragedy to say it is we who lost them, and not the other way round...